Justin Moore has built a loyal fanbase over the past decade with his traditional Country sound and captivating live shows. Those fans helped boost his fifth studio album, LATE NIGHTS AND LONGNECKS, to the top of the charts upon its release in July. The lead track from the Arkansas native’s LP, “The Ones That Didn’t Make It Back Home,” peaked at No. 1 and marked Moore’s eighth chart-topping single on both Mediabase and Billboard charts. Penned alongside Paul DiGiovanni, Chase McGill and producer Jeremy Stover, “The Ones That Didn’t Make It Back Home” further proves Moore’s skills as a thought-provoking songwriter and passionate artist. His previous project, KINDA DON’T CARE, earned the singer his third consecutive No. 1 album debut and features his chart-topping singles “You Look Like I Need A Drink” and “Somebody Else Will.” It served as a follow up to his second No. 1 album release, the GOLD-certified OFF THE BEATEN PATH. Over his 10+ year career, Moore has produced eight No. 1’s including “Point at You,” “Lettin’ The Night Roll” “If Heaven Wasn’t So Far Away,” “Small Town USA” and “Till My Last Day” as well as seven Top 10 hits and PLATINUM-certified albums JUSTIN MOORE and OUTLAWS LIKE ME. The Valory Music Co. recording artist has earned multiple ACM, ACA and ACC Awards nominations as well as an ACM Award win. He has shared the stage with Hank Williams Jr., Brad Paisley, Miranda Lambert and Brantley Gilbert and is currently traversing the country on headlining cities coast-to-coast. In 2020 he will kick-off his LATE NIGHTS AND LONGNECKS TOUR with Tracy Lawrence.
Who is Chris Janson? He’s a “live legacy in the making” (Rolling Stone). Breakout country star Janson is a platinum-selling recording artist, high-octane entertainer, multi-instrumentalist, and award-winning singer/songwriter. In the four years since the release of his debut album, the three-time CMA nominee has collected prestigious accolades that place him amongst country music greats. He most recently took home the trophy for ACM Video of the Year for his Gold-certified, inspiring hit song “Drunk Girl,” which also earned the Song of the Year title at the 2018 MusicRow Awards and was named one of the “Ten Songs I Wish I’d Written” by NSAI. His chart-topping, double-Platinum smash “Buy Me A Boat” earned the same NSAI honor, making him one in a handful of the industry’s most elite artists to earn the title multiple times, as well as the iHeartRadio Music Awards Country Song of the Year. Now it’s onto new music for Janson: “Good Vibes,” the flagship single from his new album Real Friends recently became his third No. 1 at country radio. In addition to his own successes, the talented songwriter has lent his pen to industry peers including Tim McGraw (“Truck Yeah,” “How I’ll Always Be”), LOCASH (“I Love This Life”) and the legendary Hank Williams Jr. (“God Fearin’ Man,” “Those Days Are Gone”).
For rising star Lindsay Ell, her debut album on Stoney Creek Records has been a long time coming, but you can’t rush personal discovery. Sent on a mission to unleash the vibrant, soul-bearing country artist long predicted by fans and critics alike, Ell’s journey is now complete – and she calls the result simply, The Project. Comprised of 12 gripping, heart-on-her-sleeve tracks and produced by Sugarland’s Kristian Bush, The Project is the musical calling card Ell’s been working toward her whole life – from her childhood in Calgary, Alberta; through her time opening shows for blues legend Buddy Guy; and even with attention-grabbing country singles “Trippin’ On Us” and “By the Way.” Grooving, diverse, and emotionally charged, it’s easy to hear what Ell means. The Project reveals every aspect of her abundant talent – from her fiery guitar prowess to her crisp, inviting vocals … and even her new knack for vulnerable song craft. For the first time, Ell’s music feels 100 percent “Lindsay,” and part of the reason for that is the growing up she’s done over the past few years. The young star has traveled the world with The Band Perry and Luke Bryan, showcased her multi-instrumental dexterity as one of CMT’s Next Women of Country, and is currently trading guitar solos with Brad Paisley on his 2017 Weekend Warrior World Tour. Plus, she and country radio personality Bobby Bones went public about falling for each other, leading to an outpouring of support and inspiring her to open up like never before on her critically-acclaimed 2017 EP, Worth the Wait. Well aware of Ell’s reputation as one of country’s most electrifying entertainers, Bush also sought to keep things simple. He recorded her with a live band as much as possible, letting her do what she does best. With her long-awaited album debut, Lindsay Ell has discovered what she was meant for, and who she really is. Her next “project” will be to pass that message on.
Ricky struck his first chords on a mandolin over 50 years ago, and this 15-time Grammy Award winner continues to do his part to lead the recent roots revival in music. With 12 consecutive Grammy-nominated classics behind him, all from his own Skaggs Family Records label (Bluegrass Rules! in 1998, Ancient Tones in 1999, History of the Future in 2001, Soldier of the Cross, Live at the Charleston Music Hall, and Big Mon: The Songs of Bill Monroe in 2003, Brand New Strings in 2005, Instrumentals in 2007, Salt of the Earth with The Whites in 2008, Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947 in 2009 and Ricky Skaggs Solo: Songs My Dad Loved along with Mosaic in 2010), the diverse and masterful tones made by the gifted Skaggs come from a life dedicated to playing music that is both fed by the soul and felt by the heart. In the late 1970s, Ricky turned his attention to country music. Though still in his 20s, the wealth of experience and talent he possessed served him well, first as a member of Emmylou Harris' Hot Band and later as an individual recording artist on his own. In 1982, he became a member of the Grand Ole Opry, the youngest to ever be inducted at that time. As his popularity soared, he garnered eight awards from the Country Music Association, including "Entertainer of the Year" in 1985, four Grammy Awards, and dozens of other honors. In 1997, after Ricky's then-current recording contract was coming to an end, he decided to establish his own record label - Skaggs Family Records. Since then, Skaggs and Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics, while also opening the label to a variety of other musical artists, all the time keeping emphasis on bluegrass and other forms of roots music. Ricky's first release for Skaggs Family Records, Bluegrass Rules!, set a new standard for bluegrass, breaking new sales records in the genre, winning Skaggs his sixth Grammy Award, and earning the International Bluegrass Music Association's Album of the Year Award. Ricky made further progress with the release of his fourth bluegrass album in 2000, Big Mon: The Songs of Bill Monroe, a project which featured an all-star cast of musicians ranging from Dolly Parton, Patty Loveless and Travis Tritt to Joan Osborne, John Fogerty and Bruce Hornsby, and celebrated the music and the life of Ricky's mentor, Bill Monroe. Skaggs' first all-live album with Kentucky Thunder, Live at the Charleston Music Hall (2003), led to an IBMA Award for Instrumental Group of the Year. Live at the Charleston Music Hall was honored in 2004 with a Grammy Award for Best Country Performance by a Duo or Group for the Harley Allen-penned track, "A Simple Life."In 2005, Ricky earned his 10th career Grammy for Brand New Strings - a beautiful collection of music featuring four Skaggs originals as well as several tunes by some of his most admired contemporaries, including Harley Allen, Guy Clark, and Shawn Camp. In 2006, Skaggs was honored with a Grammy Award - this time in the Best Musical Album for Children category - for his contribution to Songs from the Neighborhood: the Music of Mister Rogers. Skaggs has also demonstrated wizardry in the studio, producing not only his records but sets from acts such as The Whites and Dolly Parton, as well as the recent Love Remains disc from Hillary Scott & The Scott Family, which won him his 15th Grammy for Best Contemporary Christian Music Album as a producer. 2018 was a stellar year for Skaggs, with the addition of three more Hall of Fame inductions: the National Fiddler Hall of Fame, IBMA’s Bluegrass Music Hall of Fame and country music’s greatest honor, the Country Music Hall of Fame. Along with his three previous inductions into the Kentucky Music Hall of Fame, the Gospel Music Association’s Gospel Music Hall of Fame and The Musicians Hall of Fame, all six awards display his ability to masterfully cross genres with versatility in styles and instruments.
Before pursuing a career in music, Lee played high school football at Alcoa High. He grew up singing in church and his dad was a professional musician. Lee was briefly signed to Republic Nashville in 2012. He signed to Broken Bow Records and released his debut single, "She Does", in September 2014.The song was written by Kelley Lovelace and Neil Thrasher and originally put on hold by Kenny Chesney. The song received a favorable review from Taste of Country, which called it "a country love song that stands out from so many others on the radio" and said that "Lee is a pure country vocalist who will attract both fans of traditional country and fans of a slicker sound. "She Does" was the most added song at country radio the week of September 15, 2014. It debuted at number 57 on the Billboard Country Airplay chart for the week of October 4. Lee made his Grand Ole Opry debut in September 2014. Lee's second single, "Headphones", was released to country radio on May 11, 2015. Lee released his third single, "Leave the Light On", through Spotify on July 8, 2016. A fourth single, "Getting Over You", was released to country radio in 2016. Lee parted ways with Broken Bow in July 2017.
When it comes to straddling the line between rowdy country music and rebellious hard rock, no one does it better than The Cadillac Three. Name another band that can play a country festival with Florida Georgia Line or Keith Urban one day and then jet off to the U.K. to share the stage with Metallica or Slayer the next. On the Nashville trio’s long-awaited fourth album, they push their country, hard rock and southern rock bona fides to the limit while also introducing elements of funk and soul. The result is a dirty, greasy and hard-hitting sound that can only belong to The Cadillac Three — one they've christened COUNTRY FUZZ. But COUNTRY FUZZ isn’t just the name of the group’s new album. It’s also their aesthetic, the phrase that best sums up both the music and lifestyle of singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel alchemist Kelby Ray, three guys who have become closer than brothers while growing up and playing in bands together in America’s most buzzed-about music city. Averaging 140 shows a year, The Cadillac Three are perpetually burning up the highway, Traveling 40 out of 52 weeks. It’s grueling, committed work, but Jaren, Neil and Kelby wouldn’t have it any other way. Nor would the band’s fans, who make pilgrimages to see The Cadillac Three and will often catch an entire weekend’s worth of gigs. To reward that devotion, the group was adamant about giving their fans as many songs as they could on COUNTRY FUZZ. The 16 tracks on the record touch on all eras of the band’s history, from the swampy stomp of their 2012 self-titled debut and the power chords of 2016’s BURY ME IN MY BOOTS to the polish of 2017’s LEGACY. The trio wrote much of COUNTRY FUZZ, which they also produced, with their live show in mind. While the band still sing about cold beer, hell-raising and Saturday nights, the idea of maturity underscores all of COUNTRY FUZZ. The Cadillac Three have never been as cohesive a unit as they are here, with all three musicians seemingly sharing the same musically tattooed brain. Still, The Cadillac Three refuse to be categorized. Listen to the song “Labels,” a brilliant, succinct slice of songwriting from Neil with Corey Crowder and Luke Dick, that asks, “I wonder what you see when you look at me?” It’s a pulsing anthem, with Jaren repeating, “Nobody wants to be labeled,” and stands as one of the band’s most incisive songs. Along with the heavy-funk explorations, Country Fuzz marks a first for the group: “Back Home” is the only song the group has ever recorded that at least one of its members didn’t write. Co-written by Craig Wiseman, James McNair and Chris Tompkins, the tune is a straight-ahead blast of country-rock nostalgia and proved irresistible to The Cadillac Three. Without a doubt, The Cadillac Three know exactly who they are — and they say the same is true of their fans.